This is not oil painting. Oil painting is done with oil paints. It's still digital painting. It's an effect. Don't call it oil painting, call it 'oil paint effect' or something. And if you print it, it looks nothing like a painting because there's no brush stroke depth involved.
We’ve been hard at work the last two years to address four key areas of the Creative Cloud you told us to focus on: performance boosts, workflow efficiencies, support for new hardware and standards, and of course innovative features, which we call the Adobe “magic.” If you’ve been hanging on to your old CS disks, waiting for the right time to join the Creative Cloud community, that moment is here. The latest version——is packed with new, truly inventive features that will make it easier to do your work from anywhere, help you do it faster, and let you bring all of those great creative ideas in your imagination, to life. Read on for the highlights list of what’s new in Creative Cloud, and click through to the product blogs and videos to get a deep dive directly from the teams. Major updates across our desktop apps.
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Photoshop CC now has Blur Gallery motion effects for creating a sense of motion, and the recently introduced Perspective Warp for fluidly adjusting the perspective of a specific part of an image without affecting the surrounding area. Focus Mask (did you see?) makes portrait shots with shallow depth of field stand out, and new Content-Aware capabilities make one of the most popular features even better. We’ve also added more camera support to Lightroom (version 5.5) as well as a new Lightroom mobile app for iPhone. The and blogs have the full scoop. The has the rundown on what’s new in Illustrator CC, such as Live Shapes to quickly and non-destructively transform rectangles into complex forms and then return to the original rectangle with just a few clicks. With layout artists can now move rows and columns around in tables by simply selecting, dragging and dropping, which will be a big time saver. The new EPUB Fixed Layout means you can create digital books effortlessly.
The team is rebuilding as a native 64-bit application and it now includes HiDPI display support for sharper-looking images, objects, and text. Originally previewed at the NAB show in April, new features in our video apps include Live Text Templates, Masking and Tracking plus new integrations that leverage the power of Adobe After Effects CC inside Adobe Premiere Pro CC.
It’s better, faster, stronger. Read more on. Dreamweaver CC lets you see your work come to life.
You can now view your markup in an interactive tree using the new Element Quick View, to quickly navigate, and modify the HTML structure of pages. The has all the details. And there’s so much more so over on Adobe.com.
Creative Cloud connected mobile apps and new hardware—because our world is mobile. An entirely and the hardware (yes, Adobe is releasing hardware) could be the things we all look back on in two years and say, “OK that really changed how I do my work.” These are incredibly powerful apps that start to bring the functionality you get from desktop apps, to mobile. Pros will want to use them, but they’re easy enough that anyone can use them. Get these apps now—they are all free:., a social sketching iPad app for free-form drawing., the world’s first iPad app for precision drawing and drafting.
brings the powerful creative imaging tools only found in Photoshop right to the iPad, for the first time. The focus of this release is to be task oriented, so we started with the two most-used features: precise compositing and masking.
PS Mix also includes Upright, Content Aware Fill and Camera Shake Reduction—and integrates back to Photoshop CC on the desktop., extending Lightroom right to your iPhone. The Creative Cloud connected mobile apps complement and enhance the new creative hardware that’s also available now. Adobe Ink (formerly Project Mighty) is a new digital pen that connects to the Creative Cloud, giving users access to their creative assets—drawings, photos, colors and more—all at the tip of the pen. And Adobe Slide (formerly Project Napoleon) is a new digital ruler to create precise sketches and lines., these new pieces of hardware “make digital creativity both more accessible and more natural by combining the accuracy, expressiveness and immediacy of pen and paper with all the advantages of our digital products and the Creative Cloud.” Adobe Ink and Slide demonstrate how mobile is now a true partner in the creative workflow. Creative Cloud services tie it all together so you can work wherever you are. We all work on multiple devices.
We move between desktop or laptop to phone and tablet. Now Creative Cloud is connected to iOS devices, so you can take it wherever you go; your creative identity isn’t just tied to your desk. All of the latest desktop apps, mobile apps and creative hardware are tightly integrated through Creative Cloud services. Simply put, you can now access and manage everything that makes up your creative profile—files, photos, colors, community and so much more—from wherever you are. Get the new Creative Cloud app for iPhone and iPad for full access on your mobile devices. New offers for photographers, enterprises and education. For all photographers—hobbyist, prosumer and professional—we’re introducing a new at just $9.99 per month.
For our, we now have a device-based licensing plan for classrooms and labs so more than one person can access Creative Cloud on a single machine. The special student/teacher edition pricing also got a little sweeter, as the full Creative Cloud is now available to them at just $19.99/month for the first year. For our, we’ve added file storage and collaboration to Creative Cloud, along with (named user vs. Anonymous) and a new dashboard for managing users and entitlements. There is so much that’s new in the 2014 release of Creative Cloud that you have to take a few minutes to click around, read about the new apps, and watch videos of the new features. Are you a paid member?
All of it is available now for you. Have you been considering the move to Creative Cloud?
The new versions of the desktop apps you use most have added hundreds of new features since CS6. There really is no better time to join the community. Thanks Sue I contacted a support member last night who told me to contact NVIDIA to obtain a new graphics card. They in turn referred me to Dell who said Photoshop CC 2014 was launched with many problems and as everything else works fine on my PC there is no reason to change anything. I was pretty dissatisfied with the live chat I had as I barely understood the operator and he referred me to NVIDIA and closed the session. These people SHOULD realise not everyone who contacts them fully understands all the techie stuff and should communicate in a way to be understood.
I will probably not bother with this feature now as I have spent many frustrating hours trying to resolve the problem. I was quite happy with Photoshop CC but the new version has introduced many niggling problems and seems like a Beta version to me. I am VERY disappointed and will probably cancel my subscription like some others and revert to just using CS6 Rant over!! I have nothing against updates, especially updates over the Internet (it’s very convenient and I don’t have to have space for those bulky boxes anymore! But please, can we simply have the updates simply update the existing software, a la Android or iOS apps, where the user doesn’t have to uninstall the older one, then install the newer one, then convert existing projects to the newer format? (The user probably has to reset all the preferences too, right?) Updates should just be transparent to the user, where the user can just update the existing software, open the existing software, and keep working on existing projects without having a bump in the road and delay projects.
Another example is Windows/Microsoft Update; why can’t Adobe Creative Cloud work the same way? Just downloaded and this update is very frustrating! To be clear, this is not an update but a totally separate install. In fact, it keeps the old version installed, and eats up HD space. Apparently, a lot of the programs like Premiere and Photoshop use a different plugin format, HTML5.
![Oil Paint Plugin For Photoshop Cc 2014 Mac Oil Paint Plugin For Photoshop Cc 2014 Mac](/uploads/1/2/5/5/125519582/737792009.png)
This means your plugins won’t work in the new version until those companies port them over (hence both versions stay installed). This is annoying and defeats the idea of CC. Just check the Adobe forums and see how many users are upset. If only Adobe could use their technology to release updates and upgrades that don’t destroy all of the customization we have done with our own copies of Photoshop CC, including deleting all of the plugins and filters that we might have installed, not to mention keyboard shortcuts and Actions. After upgrading to Photoshop CC 2014, it was like starting all over, something that I could not afford to do since I make my living using Photoshop. I’ve spent a year or more getting Photoshop to work the way I want it to work for my needs and could not start over. Thus, I uninstalled Photoshop CC 2014, but even that didn’t get rid of all the PSCC2014 upgrades, so I had to use System Restore in Windows 7 to get rid of everything.
So frustrating. Forgive me, but I thought the days of having more than one version of an application was a thing of the pastI was under the impression that when I opted for the CC subscriptins, the apps would continually be UPDATED IN PLACEnow I’ve got CC (32 and 64-bit versions) PLUS CC 2014 (32 and 64-bit versions)frankly, I wouldn’t have a problem with this if files from other versions of the software titles were interchangeablereally a pain when it comes to Illustrator and InDesign files I guess I’m “alone in my priciples”from ‘that thing you do’ by the way — on this one ?. PLEASE, PLEASE, PLEASE I depended on Adobe Photoshop in my work BRING BACK THE OIL PAINT FILTER No other paint filter plug-in has the quality and uniqueness of the Adobe paint oil paint filter tool. I use it every day without exaggeration. It’s financially important to me and many hundreds of thousand others. One of its unique features wasn’t that it was easy-to-use but it look so real.
Please choose to put it back in not because it’s easy, but because it’s difficult for anyone else to reproduce what you’ve done. This filter was so unique that it stood out on his own. Take a look at my website edwardfeldman.com and you’ll see just how important it was to my work. Thank you for listening. Please to more than just listen, PLEASE bring it back thank you. Once I moved to CC, I assumed that I’d never need to deal with multiple copies of the same software on my machine lo and behold, I make the last update and suddenly I have “CC” and “CC 2014” versions of everything!
Now I’m paranoid: if I delete the “CC” version, will I later discover that I can’t save down, or something similar? I realize that I face the same questions each time I update regardless, but this “2014” version installing itself separately makes me think that even Adobe wants to hedge their bets on this one ?.